How YOUR IDEA Makes it to the BIG SCREEN - Part 1
Posted by Cloud Ten Pictures in Practical Filmmaking Article on Thursday, September 3, 2009
In response to my blog readers (a.k.a one of my comments from yesterday), today I'm blogging about the process required to get YOUR IDEA to the BIG SCREEN.
Note: Because of the length of this topic, it will be covered over a series of blog entries.
I hope that practical articles like this will be a blessing to you and - more importantly - to the spreading of the Gospel of Jesus Christ to a world that so desperately needs to hear it!
Ok.. so I have this idea (or I've run across a story, idea, pitch, etc.) that I think would make a great film. What now?
1. Pray. You are about to embark on an endeavor that will test you, frustrate you, and hopefully bring about the fulfillment that only God can bring. Make sure you aren't just coming up with an idea. Remember: ministry is RECEIVED, not ACHIEVED. God does the work... we simply receive it and join Him in what He is already doing. (Ok, I'll get off my soapbox now... but really this is where it begins for us as followers of the King of Kings.)
2. Option the story. If you are the idea person or writer, obviously you can skip this and go to Step 3. If not, you need to option the story from the writer or person who had the idea. Basically, this means that the originator gives you the rights to his/her story for "x" years. If you don't make the film before this predetermined period of time expires, then the rights go back to the originator. This agreement obviously involves some measure of negotiation and compensation with the person you are optioning the idea from, although there are many ways this compensation can come about. Many idea originators just want to get the story they are so passionate about out there.
3. Find a screenwriter. Obviously if you are a screenwriter, then you can just get to work. If you aren't, then you need to find someone who will write the script for you. Depending on how serious you are, you should seek out a quality writer who is comfortable and familiar writing in the genre that the idea falls in.
(Note: Professional Guild writers often receive $60,000.00 for a feature length script + up to $15,000.00 more in fringe payments, back-end payments, etc.)
But if your idea is a solid one, which I hope it is.. this is your first hurdle. You might need to seek funding at this point from people who believe in the project. Find the niche market appeal of your work and approach individuals who have a passion for investing in this type of work. As a general rule, the fewer investors in a single project, the better.
4. Now you have a script. It should be written, revised and re-written at least 10-12 times before it gets to you. It should be the proper length. One page of script normally equals about 1 minute of screen time. Feature length scripts should be 100-120 pages in length, with very few exceptions. Anything over 120 pages rarely gets taken seriously. There are a few Schindler's List's out there... but your script is probably NOT one of them.
Also, keep in mind that writers are creative people and - as such - they don't always write with a production budget in mind. Locations, blowing up cars, stunts, and pyrotechnics can get VERY COSTLY. Generally, the fewer locations, the better.
MOST IMPORTANTLY IS STORY, STORY, STORY! If you don't have a STORY with appropriate plot lines, sequences, progression, etc., SCRAP IT even if you love it.. before you mortgage your house and sell a kidney.
Ok... don't want to make my blog post TOO long.. right Francine? ~smiles~ So I'll cut it for here today and talk about what happens once you have a script in hand in an upcoming blog post.
If you have questions about this part of the process, let me know. God bless! And thanks again for being faithful followers of the Cloud Ten Pictures blog.
Your friend and blogger... Eric
This entry was posted on Thursday, September 3, 2009 at 10:03 PM and is filed under Practical Filmmaking Article. You can follow any responses to this entry through the RSS 2.0. You can leave a response.











# by Sandra Hope - Thursday, September 03, 2009
Where do you find the really good (but undiscovered) script writers who will work for food?
# by Michael L Miller - Thursday, September 03, 2009
Really good advice. I would add for beginning filmmakers that they should set a date to begin production. There's nothing like a deadline to make things happen. I would also add that a lot can be done while you're finding your investors, so don't make the deadline too soon.
# by Anonymous - Friday, September 04, 2009
Thanks, Eric, for all the info. It's nice to bend the ear of someone who has been there.
# by Cloud Ten Pictures - Saturday, September 05, 2009
Sandra... "WILL WORK FOR FOOD!"
You are too funny, but at the same time I know you are somewhat serious. It is not as hard to find the "really good ones" who are willing to "work for food" as you may think.
It is actually MUCH harder to find the "really good ones" period.
Once you find the "really good ones" then it is a question of establishing a relationship with them and figuring out what is their motivation for wanting to do the work.
Recently, I had the pleasure of attending the Albuquerque Film Festival. While there I was blessed to spend some quality one on one time with Hollywood Actor Giancarlo Esposito.
Giancarlo has an indie film out there right now called GOSPEL HILL. The talent he got attached to his film is fantastic. Danny Glover, Angela Bassett, Julia Stiles, and even Samuel L. Jackson makes an uncredited appearance.
I took Giancarlo to lunch at Sadie's (A famous New Mexican Restaurant here in Albuquerque) and we talked about how he got them involved. As big of stars as they were each individually.. they each got involved because of their relationship with him AND the subject matter of GOSPEL HILL which interested them.
Filmmaking is about relationships. REAL relationships. I want to encourage you to seek out and attend LOCAL festivals. (I've recently started participating in my own backyard at "indieQ" a gathering of local filmmakers)
In addition, save up some money and hit one of the BIG Christian festivals at least once per year. Make some business cards, and get out there and meet like minded people. Believe me when I tell you that THIS is the start of the answer to your question.
If you can find like minded people, who know you and your heart.. AND they believe in the project you are working on.. there is no telling what kind of deal can be made.
God bless... and hope that helps.
And if you want a list of festivals go to christian-movie.com. Also I encourage you to sign up for INDEPENDENT FILMMAKING IN FOCUS the free monthly newsletter on Christian-Movie.com. September and October's issues actually deal with the top Christian film media events to attend. Check it out!
E
# by Cloud Ten Pictures - Saturday, September 05, 2009
Good point Michael. You are correct. ALL goals should be measurable / time specific. Nothing like lighting a fire under the backside to meet a goal. Thanks for that.. perhaps I'll include that as part of my next post.
And Sandra there, is a PERFECT example of what I'm talking about. Mike Miller is a peer of mine in the film industry who is local here in Albuquerque. We've met at a couple local functions and we are starting to build a relationship. Who knows where things will go, I'm actually looking at a couple scripts that he has sent my way for feedback and already given him some initial feedback. But Michael has taken the time to invest in meeting with me.. and we keep running into one another.
Relationships, Relationships, Relationships..
God bless...
E
# by Robert A. Kramer - Saturday, September 05, 2009
If you look at the film Hidden Rage (which you can find a promo page for on facebook)you will find another perfect example. I wrote it. I had something to say and Norton Rodriguez of The God of Moses Entertainment wanted to say the same thing. We connected on-line and talked for over 5 years through email. I'm a writer and he's a producer and eventually we made the film. It's nearing completion now.
We worked together on a project that we hope will recoup costs, but more importantly we hope says something. Sure, as a writer I'd like to be able to earn a living for my writing. Instead I earn a living as a corporate video producer and I try to get people who can to make my stories into films.
So, there are some of us writers out there who just want their stories made and we're willing to barter, defer payment, work as crew, whatever it takes. I'm one of them and I'm pretty good at it. For me personally, it's also how you define success.
For years I prayed about being a "successful" screenwriter then God showed me success wasn't about doing it for a living, it was about making a difference. And I got a movie made that I hope makes a difference. That's my new definition of success. So look for the writers who just want to see their stories made, convince them you can do it well and you never know...
(Shameless plug: www.eternalproductions.biz to find some of my screenplays)
# by kyle - Thursday, September 10, 2009
great... i will certainly be forwarding this to people... saves a lot of explaining on the process! thanks.